Monday, 29 November 2010

Section 5 - Synopsis and Treatment



Synopsis:

Is hide and seek just and innocent game. We think not. 5 years ago today mother of one was released from Warrington’s mental health institution. 5 years on she has a beautiful little boy, a gorgeous home and the beginning of a new life, what could go wrong…

Treatment:

START:
Five years ago today a woman and mother of one got released from a psychiatric unit. She and her child were playing hide and seek when suddenly things start to get strange. The mother is oblivious to the danger which is about to take place. Little does she know she’s the main danger to her child? We don’t show her face until later in the film which adds suspense to the opening scene. This also makes the audience asks questions, and makes them wonder. She starts to see things which aren’t happening and starts to picture weird things happening. For example in the game of hide and seek she pictures the child in places where he’s not. She starts to get worried, but when she sees his face pop out (P.O.V) then we go back and see he’s not there. The child then appears at the other side of the room. We can see his reflection in the window. When they go to play again she can’t find him this time and is looking for him everywhere. When she’s looking around really rapidly this is when it cuts into the graphics. The graphics we are going to use will be bold since on our largest result was for the graphics to be bold. We are going to be using creepy music, and also in the graphics we will have the psychiatric papers saying the date they went in and came out and other results from the psychiatric unit. In the opening credits the there is bold writing saying ‘ 5 YEARS AGO’ which shows what’s happened that date however what is going to happen in the present day and whys 5 years ago is so significant, this is not yet clear and with them going back 5 years will have the audience guessing what’s to come. There is an image of somebodys health record in the credits which represents someones, unknown to the audience, health, mental or physical you don’t know which will keep you wondering if this has any important role in the film.

MIDDLE:
Ellis becomes seriously paranoid as her innocent game of hide and seek with her child turns into this game which leads to her believing if she doesn’t find her son then her son will die. Ellis becomes more worried when she keeps seeing images of her son covered in blood and in scraggy clothing as if somebody has attempted to kill him, the images become worse as they begin with his sweet and innocent face and end up becoming a child who looks possessed and is ready to attack or even kill someone. The child then has a mixture of saliva and blood drooling from his lips almost as if he has been attacked, the mother then carries on looking for her child and still there’s no sight of him. Ellis then sees a human figure with a child but their faces are hidden as it is night time and the street light close to their house is usually constantly flickering has now totally broken so all you can see are two bodies but no face. The woman instantly phones the police to report the missing child however she realises the phone wire has been cut and as she glimpses up a shadow is seen leaving the house Ellis sprints to the door however nobody is there and then the woman begins to scream. Her screams get louder and louder then there is a slow drumming noise in the background (diagetic) the music gradually quickens but then all you hear is a polite whisper, the camera sharply changes focus to an old looking person asking if the woman is ok however their face is also hidden. You hear footsteps but aren’t quite sure who it is but when the camera moves back to its original position Ellis has gone out of sight, the camera then changes scenery and shows a gang of people hanging around a music store but is mainly focusing on the man who’s identity is unclear. There is then a gun shot, however no scream, the man runs towards the gun shot to see if everything is ok but when he gets closer to the direction that the gun shot came from in the corner of his eye he sees a figure slowly walking away holding their arm as if it is causing them pain, he asks the woman if she is ok but she repeats the words ‘she’s coming’ three times the man looks at the woman who is wearing some sort of work-type clothing and is quite small and skinny and looks as if she is crazy, but not all is clear yet. ‘BANG’ another gun shot goes off echoing in a otherwise silent and dark night. The man is now stuck between either finding and trying to stop the person responsible for the gun shots, or looking after the woman who has blood pumping from her upper arm which seems to be like a gun shot wound, the man then asks the woman if she had been shot and she then repeatedly swears as her wound is causing her severe pain. The camera then switches to another man who is walking down the street where the injured woman and man are and thus showing us his point of view of what is happening around him, the man who seems weak and exhausted runs towards the injured woman and man and instantly phones the woman an ambulance who then takes the woman away for treatment. Then the man who phoned the ambulance now alone in the street sees two figures standing in the shadows stops in his tracks, runs the other way and frantically makes a call, then you hear police sirens.

END:

Upon hearing the police sirens the two figures step out of the shadows revealing themselves as Ellis vacantly staring into space holding a gun and a child we know to be her son from the begining of the film. The camera then cuts to the kind stranger staggering and out of breath, he senses someones behind him he turns and sees ellis aiming the gun at him. She starts pointing at her child and screaming at the man to apologise for attacking her child and calls him evil. The kind stranger looks confused and the audience are shown ellis is alone and pointing at fresh air he realizes she's delusional and tries to take the gun from her. Then an epic battle enshues between the two with ellis eventually winning by removing her shoe and hitting the kind stranger with it. As ellis is about to pull the trigger the police arrive at the scene and wrestle her to the ground.
Flash to 5 years later and we see ellis in a room wearing a straight jacket with a crazed look in her eyes screaming at a psyche nurse to help her to find her son.

Section 4 - Results

Question 1. Are you Male or Female?
We have asked the same amount of people of each gender so we can get an equal view from each one for what they want a thriller to contain. This us asking an even amount of people then we will get a fair point from each one so it will appeal to both instead of us asking more of one that the other which will make our thriller suit each one instead of it appealing to one gender more than the other.

 
Question 2. What age are you?
We aren't aiming our thriller at a specific age range as we want a point of view from a range of different ages. As this will help the thriller as it will then appeal to a wider age range that rather it being aimed to a specific audience. This will help the thriller as it will have more people watching it.

 
Question 3. Whats your favourtite type of character in a thriller?
people have their favourite type of character for specific reasons which is why there wasn't a clear favourite. There was a joint favourite between assassins and private-eye but they weren't favourite by many votes which shows that people's view on characters vary and that the characters play an important role but the characters don't need to be a certain type to have a great effect.













Question 4. What is your favourite sub-genre in a thriller?
This evidence shows the audience which have been asked prefer a psychological thriller which would be useful for our sub-genre. This shows that the audience like to be guessing what is going to happen rather than know that is going to happen.












Question 5. Should the Hero in the thriller live or die?
This is proof that the audience would like the hero to live as a this is clear to see by looking at the evidence. This works for our thriller because the hero will not die.













Question 6. What plot do you like in a thriller?
Kidnapping seems to be most favoured by the audience we asked so this could be useful to use as our main plot, so it fits with the audience that we want.












Question 7. Should a thriller contain blood and gore?In this graph, more people said that they didn't want blood and gore in a thriller. I think this is because most people we asked wanted a psychological thriller and they don't usually contain blood and gore. We will use these findings in our thriller.














Question 8. What gender do you think the hero in a thriller should be?
The audience clearly feel that the gender of the character who plays the hero should be male. In our thriller we will try and fit the findings of this graph.

Question 9. What gender should the villain should be in a thriller?
 This evidence shows that the majority of people that we asked wanted the villain in a thriller to be male. Just like the gender of hero. In our thriller, we will try and make sure that the villain will be male to fit with these findings.

Question 10. Do you think dark colours work best in a thriller?
The use of dark colours will be effective as more people said that they should be used rather than light colours. We will try and use dark colours in our thriller to fit with these findings.
 
Question 11. Do you think light colours work best in a thriller?
The use of light colours wouldn't be effective as more people said that they shouldn't be used in a thriller. We will try and not use light colours in our thriller to fit with these findings.

Question 12. Where do you think the setting for a thriller should be?
Most people that we asked would prefer a thriller set in a house. I think this is because it would seem like it could happen to anyone and it would make the film seem more real to the audience. We will make our thriller fit with these findings.

Question 13. Should the villain love or die?
Most people said that they would prefer the villain to die in a thriller. I think this is because they would feel like the film has come to an end when the villain has died. We will use this in our thriller to fit with these findings.

Question 14. Do you think that slow music creates suspense in a thriller?
Most of the people that we asked in this survey thought that slow music does create suspense because they feel that it sets the pace. We will use these findings to fit in with our music in our thriller.

Question 15. Do you think that fast music creates suspense in a thriller?
Most of the people that we asked in this survey thought that fast music doesn't create suspense because they feel that it over complicates the story line and makes the story feel like its going to fast. We will use these findings to correspond with our thriller and the music in our thriller.

Question 16. Do you think that the hero in a thriller should be in a relationship?
The result for this question isn't as certain as the others, the results are close but more didn't want the hero in a relationship. We will try and use these findings in our thriller.

Question 17. Do you think that bold graphics look better in a thriller?
Most of the people ask said yes to this question. I think this is because they think that it makes the words stand out more against the background. Also I think it makes them look important. We will use these findings in our thriller.

Question 18. What is your biggest fear?
Most people's biggest fear is kidnapping. These results will help us in our thriller because we can play on this idea to make our thriller more scary for our selected audience. 


Question 19. Do you think a thriller should contain children?
The majority of people thought that a thriller should have children in it. I think this is because they may think that if it could happen to a child it could happen to anyone and this makes it more frightening. Also, many people have children of their own and if something happened to their child it would hurt them and in a thriller, we want to play on this.

Question 20. Should the identity of the villain be shown at the beginning of a thriller?
Most people don't think that the identity of the villain should be shown at the beginning of a thriller because this takes away the mystery of finding out who it was. We will use this finding in our thriller.

Friday, 19 November 2010

Section 4 - Questionnaire

1. Gender?

2. Age?

3. What kind of characters do you like in a Thriller?
Criminals           Assassins           Private eye           Police           Mother/ Babysitter           Other(please specify)

4.What kind of Sub-genres do you like in a Thriller?
Supernatural           Psychological           Mystery           Crime           Other

5. Do you prefer the Hero to live or die?
Live           Die

6. What plot do you think a thriller should include?
Kidnapping           Red herring           Ransoms           other

7. Do you prefer films with blood and gore?
Yes           No

8.What gender do you think the hero should be?
Male           Female

9.What gender do you think the villain should be?
Male           Female

10. Do you think the colours in Thrillers should be dark?
Yes           No

11. Do you think the colours in Thrillers should be light?
Yes           No

12. Where do you think a Thriller should be set?
Forest           House           Deserted Area           City           Other

13.Do you prefer the villain to live or die?
Live           Die

14.Do you think slow music creates suspense?
Yes            No

15.Do you think fast music creates suspense?
Yes           No

16.Do you prefer the hero to be in a relationship?
Yes           No

17.Should the graphics be bold?
Yes           No

18.What is your biggest fear?
Kidnapping           Dark           Sea Creatures           Spiders           Other

19.Should a Thriller include Children/younger people?
Yes           No

20. Should the identity of the killer/villein be shown at the beginning?
Yes           No

Section 3 - 15 Cetificate


Ideas for our Thriller
Story lines:
Murder,
Crazy person,
Zombies,
Kidnapping,
Demented,
Running away from danger,
Cannibal.

Setting
Forest,
Derelict area,
Old house,
Hospital,
Block of flats,
Grave yard,
Train station,
Cellar,
Park,
Field,
Playground.

Costume
Blood,
Normal,
Odd,
Scruffily,
White gown (hospital gown).

Editing
Flickering of images

OUR IDEA:
A lady who has seen murders and has been through a lot as a child and young adult. This results in her being crazy and being in a Psychiatric unit, but is out now after 5 years, she has a child which she has recently got back after being out of there. She starts seeing things, which we see in the opening of the film. At the start of the film the graphics will show her documents which we wont know what they are until we get further into the film, close up shots of things, flickering showing some mystery. This will have clues about the film, and what she's like but we can't tell these things at the very start. This opening will keep the audience asking questions about the film.


The 15 certificate can include:
  • discrimination,
  • drugs,
  • horror,
  •  imitable behaviour,
  • strong language,
  •  nudity,
  • sex theme,
  •  violence
Yet they can not dwell too much on these things, which could influence children to behave like what they see in the movie. However children are allowed to watch a 15 cetificate at the cinema if they are accompanied by an adult.


 How our film will relate:
Our film will relate to these because it will not have violence scenes or violence nature with out our film. Also our film doesn't involve sexual scenes of any kind which also follows the 15 certificate if not below this certificate. Our film doesn't have any dangerous behaviour which could encourage the young audience.  With in our film no strong language will be used, since it is irrelevant to our film anyway. I believe our film will be rellevent for 15 year old and maybe younger. Although it may be suitable for the younger audience we will set our cetificate for 15 since it may be scary.

Section 2 - The Brave One

Narrative

  • Narration from woman talking about herself and her life, we know this is the main character. 
  • Then we get introduced to her being a radio presenter. 
Thriller Codes and Conventions 
  • See women, romantic hero, ordinary woman nice, friendly. 
  • Transformed city, see normal city then is transformed when they enter the tunnel where her and her husband are beaten up.
  • Question and answer model, who are these people what are they going to do to them and why. 
  • Suspense built when the dog goes missing
Camera Work
  • See city but looks like were seeing a reflection in water, which causes ripples.
  • When man and women enter the tunnel and are calling dog see the dog run somewhere, so they carry on walking. 
  • See dog with man holding alcohol, looks intimidating then see another man who is filming it on a camera. 
  • Camera switches to what is being filmed by he man in the film, scarier and more life like - films the man and woman being beaten up.
Mise-en-scene
  • Ordinary costumes and lighting until they approach the tunnel then the lighting goes down then the man dies.
  • Wind starts - chilling and creepy
  • Setting is changed when they go into the dark tunnel.
  • See a gang looking a lot different to the other two people, can tell they are not like them, very different, not had the same upbringing.
Sound
  • Non-diegetic music whilst titles are on, calm sweet, contrasting with what the film is about
  • Suddenly eery music starts when the dog goes missing, gives us the sense that something bad will happen.
  • When man and woman are being beaten up dog is barking hysterically - which is chaos
  • No music when man and woman are being beaten up, only diegetic sounds, talking and laughing ect.   
Graphics 
  • Titles are small and are in white, fade and ripple, resembling water- calm, controversial for a thriller.
  • When warner brothers trademark is on the screen the background is of buildings which ripple like a reflection in the water.

Thursday, 18 November 2010

Section 2 - Red Eye


Narrative Structure

  • We see the wallet being stolen. 
  • Later see the same wallet being taken out a bag, which suggests someone else has it. 
  • We see an i.d of a man who we then see in the next scene, this all links together.
  • We also see a picture of his daughter in his wallet, we then realise she means a lot to this man.
Thriller Codes and Conventions
  • Concealment, partial vision- takes wallet
  • Q&A model, we don't know what's in the crate.
Camera Work
  • Zooms in before wallet is taken which then changes the focus on the shot.
  • Establishing shot of the building.
  • Two settings at the same time, which means the camera is cross cutting to each place which shows how hectic they are. 
Mise en Scene
  • See a pictures straight away of young girl, link this to the main character, looks happy, intelligent and sporty
  • Looks like shes important to the persons whose house it is 
  • Raining to give a dull effect to the film.
  • Everyone is rushed, showing its a city.
Sound
  • Music is uneasy.
  • Music builds up a lot of suspense, loud, ticking beat, deep and builds tension.
  • Over the music we can hear a plane taking off. 
  • Music builds up tension and a climax but then cuts off. 
  • Music again builds up to a climax by building up pace.
  • Music emphasises how hectic the scene is.
Graphics
  • Black back ground with white text getting smaller- movement. 
  • Red Eye written in red, black background, capitals, bigger font than titles red signifying blood, danger, anger.
  • Titles still taking place when the film starts, smaller, less important people usually.  

Section 2 - Snakes on a Plane

Narrative Structure
  • Establishing shots of the country side.
  • Motorbike action - fun.
  • Main character is on the screen for the first 1 minute 30. This makes us ask who he is and why he's the main character.
  • Building suspense from someone with there hand on the door handle, we don't know where the door is leading to.
Camera work
  • Show him moving but get the environment in the shot also so we can see the surroundings.
  • Shot reverse shot from the action to the man hiding in the bushes.

Mise en Scene
  • The main man of the gang wearing white and the others wearing black, this makes him stand out so we know that he's the most important.

Sound
  • Chilled out music which is upbeat, give the feeling of excitment and fun.
  • "It's gonna' be a lovely day" non diagetic to diagetic, becuase the music goes onto his ipod.